Disclaimer: I’m not a medical professional or a scientist or an engineer. I could be completely and totally wrong. And while we’re at it, this is true for nearly everyone you talk to. Follow my advice at your own risk. But these are extraordinary times so…
I submitted the following open letter in response to New York State’s call for public comment on its film tax credit program. I give permission to reproduce it in part or in full, so long as it is properly attributed, and not taken grossly out of context.
Done? Good. Its’ wrong. Wrong wrong wrong. If you are a filmmaker, low-budget or otherwise, don’t even start thinking in the terms suggested by that article/post.
So why am I picking on some blogger? Well firstly, Farhan has published a book and seems to feel authoritative on the subject. Second, the VFX Society is retweeting it. But we in the VFX industry are already under assault. And it’s time we started taking this all more seriously. That got me thinking.
This article is really the best and most comprehensive look at what we did and how we did it. Unfortunately, there is no free on-line version of this article. If you want it, you’ll need to get a copy.
VFX World has published an article on previs, in this summer’s blockbuster movies. Leading off the article is Iron Man. Kent Seki, the previs and HUD effects supervisor gives a good window into what we did and how we did it. He also details quite thoroughly the tools and techniques I developed for the film. I’ve also detailed a similar account on my blog a few weeks ago.
There are a number of videos embedded in the article. However this one is a surprise. This is one of my range of motion tests from early in the suit design process.